Depending on how much image review I do, I’ve found approximately 25-30% less shots possible with 5Ds versus 5D3 in similar situations before needing to swap batteries. To handle processing the larger files, the 5Ds uses more processing power, which takes more battery power. Usually, I choose the 5D3 when I’m going to be shooting all day either with a swim team or a large fashion shoot. There are times that I choose to load the 5DMark3 in my housing over the 5Ds. And, while I was doing that, I went with Thunderbolt connections to speed up the transfer. Also, working with and storing the files requires some different equipment. I don’t use anything smaller than 64GB and usually prefer 128GB. The need to stock up on large/fast memory cards is pretty evident. The 50.6 megapixel files do come with some compromise. In the water and on land, I can detect no difference in subject asquisition or the ability of both cameras to maintain AI Focus on moving subjects. The focus speed on both the 5D3 and 5Ds is superb. It’s also possible that it’s all in my head : ) It could be that the added depth from so much resolution creates a velvety texture. It’s nothing I can point out, and it’s not even possible to see unless I’m working with the full resolution images on my large screen at home. The images come out of this camera with a little different feel than the ones from the 5D3. The other factor is a little hard to put my finger on. And, I never know for sure while taking a shot whether I might love it enough to want the overload of pixels. Having such a huge file does make a difference for the really large prints. I don’t print out images 60” and up very often, but every once in a while I do, and several of my customers do as well. First is the fact that it has 50 megapixels. However, there are two factors that help tilt me in the direction of the 5Ds. They also produce images that are for most intents and purposes identical. But the reasons that I generally grab this camera aren’t cut and dry.īoth cameras have basically the same weight, size, screen, controls, etc. All of the buttons and dials work perfectly.įinding myself with the decision to choose between the two cameras, I generally grab the 5Ds any time I’m going to shoot underwater. Through a turn of events, one of my friends made me a deal that I could not pass up - to trade my backup 5D3 for a lightly used 5Ds and an unused lens.īecause Canon uses the same physical frames for both cameras and basically left all the controls in the same locations, I can fit both cameras in my Ikelite housing without any sacrifice or modification. Last year, I was trying to decide whether my Canon 5DMark3 had come to the end of its run in favor of the recently released Canon 5Ds.īut it turned out that I didn’t really have to choose. In the never-ending march of technological progress, most photographers end up asking themselves every couple of years or so whether enough has changed to make a camera upgrade worthwhile. From a Sea&Sea MX-10 I progressed through some video-only setups, a Nikonos V, and Canon’s early Rebel cameras in my pursuit to show others some of the incredible sights of the underwater world. Through the years, I’ve used a few different setups for capturing images or video underwater. RAW image capture in several aspect ratios Quick Links: 5D Mark III Comparison | ISO Tests & Comparison | Macro Test & Comparison | Sensor Ratings | Best Lenses | Underwater Housings These are useful for those shooting video who don't already have other time-lapse accessories or software like Magic Lantern, and those shooting time-lapses inside their housings where accessories won't fit. The Canon 5Ds and 5Ds R also have an Intervalometer and a Time-Lapse Movie Mode that provide two different time-lapse options. This very high resolution makes it essential to use high-quality lenses and achieve crisp, sharp focus. The high-resolution of the Canon 5Ds makes it the perfect camera for those who make large photo prints, or for those who need the freedom to make major crops of their images. Suffice it to say that the 5Ds is the better choice unless you're well-versed in AF microadjustments on your lenses and advanced post-processing techniques. This produces an ever slightly sharper image, but makes the camera much more susceptible to the effects of moire when shooting things like fabric (i.e. The 5Ds R cancels the low-pass filter that is built into most DSLRs (including the 5Ds). Canon's entry is the Canon 5Ds and 5Ds R, which pack 50.6 megapixels into the same body frame as the Canon 5D Mark III.Īs underwater photo and video shooters, we look to the Canon 5Ds. The megapixel war between camera manufacturers has been reignited over the past year, with several mega-megapixel camera bodies entering the market.
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